Here the diary opens onto the living practice: evenings spent in DADF#AD, strings humming against bone and breath, small healing experiments traced in sound. Each entry is a field note—half ritual, half technical sketch—from sessions where the guitar becomes an instrument of attunement as much as music. Tunings, voicings, and tiny shifts in presence are recorded not as theory, but as impressions: where the body softened, where an old story loosened, where a single harmonic changed the quality of the room.

Over time, these pages chart the spiritual geography of this tuning—how DADF#AD rearranges attention, how it alters prayer, how it invites certain kinds of questions and quiets others. They are less about remembering what was played, and more about tracking the subtle resonance that lingers after the last note has faded.